Puts the power of AI-led copy-creation in the hands of every creative across dentsu.
She believes every broadcaster must bring their A-game to sustain audience interest.
Many production houses are investing upwards of 5 per cent in technology.
He has joined as its chief operations officer - revenue.
OTT and television saw the re-emergence of the golden era of family viewing.
Pocket Aces will utilise the capital raised to scale the current content output
Content consumption patterns have now changed from ‘me’ to ‘we’.
Her departure is a result of internal realignment
Ullu recently launched their brand new series SLIP, a part of Ullu Originals.
The platform has seen 150 new brands coming in post lockdown.
Thanks to OTTs, book-based productions will grow by leaps and bounds, say experts.
Indian consumers are seeking better experiences.
Right talent and content plays a pivotal role in any story: Irada Entertainment
CSK Originals went live on Dailyhunt on 19 September 2020
TV9 Network in association with SAP India launches series on entrepreneurs of India’s home-grown b
Aashram is helping to drive overall engagement up
Aims to drive the next chapter of growth in the country by empowering people with cutting-edge tec
It is now experimenting with other business models like sachet pricing
Stylam’s logo will feature on the trousers of the team for the duration of the tournament.
MDTCA’s site-blocking efforts contribute towards consumers migrating to legal services.
Shot in documentary style, the series will travel the length and breadth of the country
The UGC app is confident of staying ahead of the rest of the pack.
The network had a share of 22 per cent from week 32-35; Zee network is a close second with 21%
Elizabeth Raposo took over as production president following the exit of Marc Evans.
He succeeds Essence’s global CEO Kyoko Matsushita.
According to him, a bigger part of growing is through learning via examples.
Charlotte Moore has taken on the role of chief content officer for the BBC.
The biggest growth potential lies in the international markets, he said at APOS 2020.
'SonyLIV 2.0' has significantly upped its game in original premium content space.
A series of stringent SOPs will be implemented for the first few months of operations.
According to him, the entertainment industry should be protected from monopoly.
It is hiring, and is looking at offering language digital-first services
The channel is in a partnership with Firework India with a revenue-sharing model
Experts share their views on science and process behind creating binge-worthy content on OTT
Distribution also plays a key role in content to travel.
79% respondents welcomed the hybrid model of OTT.
Regional content to play a massive role.
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