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When talent took over: Presenting the winners of the Indian Telly Technical Awards

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The 15th edition of Adobe presents IndianTelevision.com’s Indian Telly Technical Trade and Programming Awards was held on 28 October at Hotel Sahara Star. The awards recognize the talent in various technical categories like production, editing, writing, direction, distribution, and others.

The event saw an array of popular television celebrities like Divyanka Tripathi, Vivek Dahiya, Ravi Dubey, Deepika Singh, Sneha Wagh, Donal Bisht, Hunar Hali, Vikas Gupta, Anjali Anand, Ankit Bathla, Karan V Grover, Taher Shabbir, Eijaz Khan, Sushant Singh, Mahesh Thakur and many others who came out to support the heroes who work relentlessly behind the scenes.

The celebrities were all praises for the initiative and spoke about the importance of honouring technical crew.

The hosts of the night, Nakuul Mehta and Mohena Kumar Singh, were charming and enthralled the audience by their witty and thought provoking remarks.  

Here’s presenting the complete list of the winners!

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Special-Visual Effects for Television: Indranil Roy, Bharat Mistry, and Nishikant Mohapatra for 21 Sarfarosh Saragarhi 1897

Special Visual Effects for Television: One Life Studios for Porus

Art Direction (Fiction): Sandesh Gondhalekar for 21 Sarfarosh Saragarhi 1897

Art Direction (Fiction): Sanjay Bairagi for Ishqbaaaz

Art Direction (Non-Fiction): Omung Kumar for Bigg Boss Season 11

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DOP (Fiction): Abhishek Basu for 21 Sarfarosh Saragarhi 1897

DOP (Non-Fiction): Kumar Subramaniyan for Special Operations India – Pathankot

Costumes for a TV Programme: Ketki Dalal for Porus

Make Up Artist: Preeti Sheel Singh for Qayamat Ki Raat

Stylist: Shweta Korde for Karmphaldata Shani

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TV Show Packaging (Non-Fiction): Rangrez Media Pvt Ltd for Raja Rasoi Aur Andaz Anokha

TV Channel Packaging (Including Channel Ids and Generic Promos): Sanjay Ramachandran for Blockbuster

Editor (Fiction): Vishal Sharma for Kumkum Bhagya

Editor (Non-Fiction): Mahesh Ranjan and Dweerad Mahapatra for Special Operations India – Pathankot

Background Music (Fiction): Kartik Shah for 21 Sarfarosh Saragarhi 1897

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Director (Soap and Drama): Siddharth Kumar Tewary for Porus

Director (Sitcom): Kedar Shinde for Kya Haal Mr. Paanchal

Director (Thriller): Rajesh Ranshinge for Kaun Hai

Director (Non-Fiction): Trevellyn Fynn for Fear Factor KKK – Pain In Spain

Director (Non- Fiction): Prabhu asgaonkar and Maneka Asgaonkar for Special Operations India – Pathankot

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Screenplay Writer (Drama Series & Soap): Medha Jadav & Siddharth Kumar Tewary for Porus

Dialogue Writer (Drama Series and Soap): Vinod Sharma for Karmphaldata Shani

Screenplay Writer (Sitcom Comedy): Hemant Kewani for Kya Haal Mr. Paanchal

Screenplay Writer (Sitcom Comedy) for Sanjay Kohli, Shashank Bali, and Manoj Santoshi for Bhabi Ji Ghar Par Hai!

Dialogue Writer (Sitcom Comedy): Virat Basoya for Kya Haal Mr. Paanchal

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Story Writer: Shashi Mittal, Vaishali Naik, and Nageen Mirza for Yeh Un Dinon Ki Baat Hai

Scriptwriter (Non-Fiction): Iqbal Malhotra for Netaji Bose – The Lost Treasure

Sound for Fiction Show: Raghu Hegde for Porus

Sound for Non-Fiction Show: Ashhar Farooqui for The Last Drop

Title Song: Rajiv Chilaka for Kalari Kids

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Singer: Shaan for Haasil

Lifestyle and Fashion: Small Budget Big Makeover Season 2

Talk Show: The Kapil Sharma Show

Cookery Show: Raja Rasoi Aur Andaaz Anokha

Travel Show: Great Escape with Kunal and Cyrus

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Spiritual Show: Inside Tirumala Tirupati

TV Production House: Swastik Productions

Animation Studio Of The Year: Green Gold Animations

Creative Leadership and Excellence in Original Content: Arun Thapar

Best Sales Team: Zee TV

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Best Marketing Team: Colors

Best Cable Operator: S N Sharma

Best DTH Operator: Dish TV; Videocon D2H

Digital Team: Hotstar

Innovative Brand Integration: Drop Out

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Best CSR Initiatives: Ride The Van

Best Communication Team: Viacom 18

Best Sports Show: Umeed India

Editor's Choice Best Director Sitcom: Shashank Bali for Bhabi Ji Ghar Par Hai

Editor's Choice Best Dialogue Writer – Sitcom: Raghuveer Shekhawat and Manoj Santoshi for Bhabi Ji Ghar Par Hai

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All in all, there was not a single dull moment throughout the event, as Nakuul had the audience in splits with his sense of humour! Kudos to everyone who was a part of this unique initiative.

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Barc forensic audit in TRP row awaits as Twenty-Four probe gathers pace

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KERALA: A forensic audit commissioned by the Broadcast Audience Research Council (BARC) India has emerged as the centrepiece of the government’s response to fresh allegations of television rating point manipulation involving a regional news channel in Kerala, with both the audit findings and a parallel police investigation still awaited.

Replying to a query in the Lok Sabha, minister of state for information and broadcasting L Murugan, said Barc had appointed an independent agency to conduct a forensic probe into the conduct of senior personnel allegedly linked to the case.

The move followed media reports claiming that a Barc employee had accepted bribes to manipulate viewership data in favour of a regional television news channel.

“The report from BARC is still awaited,” Murugan told Parliament, signalling that the forensic exercise remains ongoing.

Industry specialists say forensic audits are crucial in alleged TRP fraud cases, as they examine internal controls, data access trails, panel household integrity, staff communications and financial transactions. The outcome could determine whether the alleged manipulation was an isolated breach or a deeper systemic weakness in India’s television measurement framework.

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Running alongside the audit, the Kerala Police has formed a special investigation team to probe the allegations. The ministry has sought a preliminary report from the state’s director general of police, including details of action taken on the first information report. That report, too, is yet to be submitted.

The episode has revived long-standing concerns over the vulnerability of India’s TRP system, particularly in regional news markets where competition for ratings is fierce and advertising revenues hinge on weekly viewership rankings.

India’s sole television audience measurement body Barc, has faced scrutiny before, most notably during the nationwide TRP controversy involving news channels in 2020. While tighter compliance norms were introduced in the aftermath, the latest allegations suggest enforcement challenges may persist.

On regulatory consequences, the government said any punitive action against television channels, including suspension or cancellation of uplinking and downlinking permissions, would be governed by the Policy Guidelines for Uplinking and Downlinking of Television Channels issued in November 2022, and would depend on investigation outcomes and due process.

The ministry also pointed to ongoing efforts to overhaul the ratings ecosystem. Television measurement continues to be regulated under the Policy Guidelines for Television Rating Agencies, 2014. Draft amendments were released for public consultation in July 2025, followed by a revised version in November 2025, aimed at tightening audit mechanisms and improving transparency and representativeness.

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In November 2025, Barc said it had taken note of allegations aired by Malayalam news channel Twenty-Four, which linked an internal employee to irregularities in audience measurement. The council said it had engaged a “reputed independent agency” to conduct a comprehensive forensic audit, underscoring the seriousness of the claims.

The ratings system sits at the heart of India’s broadcast advertising economy, shaping billions of rupees in annual ad spends. With trust in audience data once again under strain, advertisers, broadcasters and regulators are closely watching the outcome of the investigations.

Barc has urged industry stakeholders and media organisations to exercise restraint while the probe is underway, calling for an end to “unverified or speculatory claims” and reiterating its commitment to integrity and accountability.

Until the forensic audit and police findings are submitted and reviewed, the government said it would refrain from drawing conclusions.

 

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Rajat Sharma defamation row: Delhi court summons Congress leaders Ragini Nayak, Pawan Khera and Jairam Ramesh

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NEW DELHI: A Delhi court has ordered the summoning of senior Congress leaders Ragini Nayak, Pawan Khera and Jairam Ramesh in a criminal case filed by veteran journalist Rajat Sharma, sharpening a legal battle over alleged defamation and doctored digital content.

The order was passed on Monday by Devanshi Janmeja, judicial magistrate first class at Saket Courts, after the court found prima facie grounds to proceed under multiple sections of the Indian Penal Code, including forgery, creation of false electronic records and defamation.

Sharma, chairman and editor-in-chief of India TV, had approached the court over allegations made in June 2024 that he had used derogatory language against Congress spokesperson Ragini Nayak during a live television debate. He denied the charge, claiming it was fuelled by a manipulated video circulated online.

According to the complaint, a clipped version of the broadcast carrying superimposed captions, which were not part of the original programme, was first shared on social media platform X by Nayak and later amplified through retweets and public statements by Khera and Ramesh. Sharma said the viral spread caused serious reputational harm and personal distress.

The court took note of forensic science laboratory findings that pointed to visible post-production alterations in the video, including added titles and captions. It also cited witness testimonies from those present during the live broadcast, who stated that no abusive or objectionable language had been used.

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In a related civil matter, the Delhi High Court had earlier observed a prima facie absence of abusive remarks and directed the removal of the disputed social media posts.

With criminal proceedings now set in motion, the case adds to mounting scrutiny around political messaging, digital manipulation and accountability on social media platforms.

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Mukesh Ambani, Larry Fink come together for CNBC-TV18 exclusive

Reliance and BlackRock chiefs map the future of investing as global capital eyes India

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MUMBAI: India’s capital story takes centre stage today as Mukesh Ambani and Larry Fink sit down for a rare joint television conversation, bringing together two of the most powerful voices in global business at a moment of economic churn and opportunity.

The Reliance Industries chief and the BlackRock boss will speak with Shereen Bhan, managing editor of CNBC-TV18, in an exclusive interaction airing from 3:00 pm on February 4. The timing is deliberate. Geopolitics are tense, technology is disruptive and capital is choosier. India, meanwhile, is pitching itself as a long-term bet.

The pairing is symbolic. Reliance straddles energy transition, digital infrastructure and consumer growth in the world’s fastest-expanding major economy. BlackRock, the world’s largest asset manager, oversees more than $14 tn in assets and sits at the nerve centre of global capital flows. When the two talk, markets tend to listen.

Fink’s appearance marks his third India visit, a signal of the country’s rising strategic weight for the Wall Street-listed firm, which carries a market value above $177 bn. His earlier 2023 trips included an October stop in New Delhi, where he met both Ambani and Narendra Modi.

India is now central to BlackRock’s expansion plans, notably through its joint venture with Jio Financial Services. Announced in July 2023, the 50:50 venture, JioBlackRock, commits up to $150 mn each from the partners to build a digital-first asset-management platform aimed at India’s swelling investor class.

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The backdrop is robust. BlackRock ended 2025 with record assets under management of $14.04 tn, helped by $698 bn in net inflows, including $342 bn in the fourth quarter alone. Scale gives Fink both heft and a long lens on where money is moving.

He has been openly bullish on India. At the Saudi-US Investment Summit in Riyadh last year, Fink argued that the “fog of global uncertainty is lifting”, with capital returning to dynamic markets such as India, drawn by reforms, demographics and durable return potential.

Expect the conversation to range beyond balance sheets, into technology’s role in finance, access to capital and the mechanics of sustainable growth in a fracturing world order. For investors and policymakers alike, it is a snapshot of how big money is thinking about India.

At a time when capital is cautious and growth is contested, India wants to be the exception. When Ambani and Fink share a stage, it is less a chat and more a signal. The world’s money is still looking for its next big story, and India intends to be it.

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