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‘Everest’ will break the clutter like ‘Mahabharat’: Nikhil Madhok

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MUMBAI: A regular girl’s struggle to win her father’s acceptance is a story which we have all seen on television screens, but what differentiates this one from the others is the treatment.

Set against extraordinary background of the magnificent Mount Everest, the upcoming show, ‘Everest’, on Star Plus aims to create history.

Star India CEO Uday Shankar believes that the channel has always aimed to bring audiences, innovative content that takes the Indian television viewing experience to the next level and Everest is another big leap in that direction.

He says, “We are proud to have partnered with a visionary like Ashutosh Gowariker who is one of the most adept story-tellers of our country. ‘Everest’ is a stunning visual delight and an attempt at presenting something never-seen-before to our viewers. I am sure that the story of our protagonist Anjali will resonate with millions in India and inspire them to conquer their own Everest.”

In the same not, the channel’s general manager Gaurav Banerjee adds, “The series will re-define how television is made in this country considering its visual appeal and the way it will be presented.”

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Produced under Ashutosh Gowariker Productions (AGPPL) banner, the show is in line with the number one GEC’s strategy of offering innovative and differentiated content, it has been conceptualised, shot and presented on a scale never seen before on TV.

With the use of a lot of heavy technical equipments like GoPro cameras, 4K technology and a lot more, 90 per cent of the show has already been canned in locations like Jodhpur, Mount Everest, NIM and Mumbai.

The concept took shape in Gowariker’s mind about two years ago where he was confused between two themes. “First was about a girl child, about women empowerment and the other theme was about a sport that was not much talked about (mountaineering). I was not getting anywhere in terms of both the scripts. Then I thought why not to combine the two themes into one.”

He further says that the whole idea of the show actually began with an insight that what are you willing to do for your dreams? A project of this scale demands a cast who will do complete justice to the roles endowed on them and Gowariker hand-picked the actors for each role after an extensive search.

The series has brought together some of the finest artistes from both Bollywood and the Indian television industry. The show launches Shamata Anchan as Anjali Singh Rawat, the gutsy girl who is willing to climb Mt Everest in order to win her father’s love and respect. The two male leads of the show are Sahil Salathia as Arjun Sabharwal and Rohan Gandotra as Akash Joshi. The stellar cast also includes Suhasini Mulay, Mohan Kapoor, Milind Gunaji, Rajat Kapoor, Kishori Shahane and Manish Choudhary.

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And hence, the channel is pulling all its marketing muscles out to create buzz for it. The show emanates from a belief that everyone has a personal Everest they aspire to conquer, however the question is how far are they willing to go to conquer it?  

Keeping this in mind it will launch a campaign asking viewers, #WhatsYourEverest. “We want to make this show feel very relevant to the audiences. People should not feel that this is a show about a mountaineering expedition,” states the channel’s SVP marketing Nikhil Madhok.

The on-air promos talk about cancer patients winning over their Everest as they fight the disease, sports personnel making into the Indian team as they overcome their Everest. “This is the thought that we are building and we have activated this thought in digital and radio to establish to people that while the show is about Anjali’s journey, it is relevant to everybody,” answers Madhok.

For the first time on television, a two and half minute theatrical promo has been made for a television series and while this will play on Star Plus at 7.58 pm on 18 October, it will also break in theatres with Shah Rukh Khan starrer ‘Happy New Year’.

The channel has tied up with some of the outlets of Costa Coffee and has created an ‘Everest’ zone there wherein the temperature would be at just 5 degrees and waiters will serve the customers cold coffee wearing jackets. Customers will also be given a jacket when they enter the coffee shop and will find snow on the ground. Starting from 22 October, the activity will take place throughout the day for couple of weekends across various cities. “Basically the idea is to make sure that people get an experience of how Everest feels like,” says Madhok.

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It has also tied up with Fair and Lovely foundation and through the course of the series the channel will invite people, especially young women to write about an Everest in their life and will help them in conquering it.

“That assistance could be anything – be it in terms of counselling or monetary assistance. It could be in face of education, somebody wants to get money to become a doctor, somebody wants to actually climb Mount Everest but don’t know how to fund the course. So, we will help them in these things,” reveals Madhok. For a certain set of lucky winners, the channel will help them achieve their Everest.

The extensive 360 degree marketing campaign includes not just the entire Star Network and 30 other channels, but also activations on radio, outdoor innovations including 3D hoardings. It will be aggressively available in print as well and a huge presence on digital including the YouTube masthead and page takeovers in MSN and Yahoo.

The new series will replace the on-going Sooraj Barjatia’s show – Pyaar Ka Dard Meetha Meetha Pyaara Pyaara, which has been constantly delivering good ratings at the TAM ratings chart and will air at 10 pm.

Both Madhok and Banerjee believe that the last year has been good for the channel. “Most of the slots that we operate are the slot leaders. Wherever we would have put this show, it would have replaced a well-performing show,” says Madhok.

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Agreeing to Madhok, Banerjee adds: “At 10 pm, what we felt was that some of our iconic shows in the past have come at 10 pm and all the shows have worked wonders for us.”

Madhok goes on to say that it did not do so much of number crunching and analysis because between 8-10 pm the audiences available are very similar. “Differences that you see are in very early prime time and LC1 markets are bigger. Those audiences sleep off at 10.30. Outside of that for us, all the slots are very viable.”

The channel wanted to launch the show around winter and Madhok is confident that with winters coming in, people will enjoy the series more.

Star Plus has got Fair and Lovely on-board as its title sponsor. It is co-powered by Godrej Ezee while Vinod Cookware has signed up as an associate sponsor.

Talking about the ad-rate per 10-second slot, Madhok reveals that the cost of the show is significantly more expensive than anything else on the channel. “As sponsors have demonstrated, this is top quality television produced by an iconic filmmaker so people are happy to be associated and pay the premium required,” adds Madhok.

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He hopes that one of the things that ‘Everest’ will do is like ‘Mahabharat’, it will break the clutter. “It will look and feel different on television. And anything that breaks the clutter is something that brands want to associate with and are also happy to pay premiums.”

“The first important thing when the show goes out is it should break the clutter and it should help in taking television agenda to the next level. Second thing is it should find a good strong loyal audience base,” responds Madhok.

Though Madhok refused to divulge any numbers, media planners feel that the ad-rate for the new series will be four times more than the average regular rates that a fiction show demands. “Rates differ a bit depending on which show and at what time. For example, a show like Diya Aur Baati Hum will be much more expensive than a show like Suhani Aisi Ladki which airs at 6.30 pm,” states a media planner.

Talking about the marketing spends; planners believe that in terms of share of marketing it will not be different from what Mahabharat demanded. Out of the total budget, planners estimate that 20 per cent would be spent on marketing.

 

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Sun TV posts steady revenue, profit dips amid rising costs

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CHENNAI: It appears there is still plenty of Sun to go around in the Indian broadcasting landscape, even if a few clouds have drifted across the financial horizon. Sun TV Network Limited, the Chennai-based behemoth that dominates airwaves across seven languages, has tuned into a steady frequency for the quarter ending 31 December 2025. While the numbers show a resilient revenue stream, the company’s latest broadcast reveals a few static-filled spots in its profit margins.

For the quarter in question, Sun TV’s total income climbed by approximately 3.31 per cent, reaching Rs 958.39 crores compared to Rs 927.66 crores in the same period last year. Revenue from operations also saw a healthy bump, rising 4.32 per cent to Rs 827.87 crores.

The real star of the show, however, was domestic subscription revenue, which surged by 8.86 per cent to Rs 472.99 crores. This growth highlights the enduring appetite for Sun’s diverse content, which spans everything from daily soaps in Tamil and Telugu to its burgeoning OTT platform, Sun NXT.

Despite the revenue growth, the picture quality of the profits was slightly blurred by rising costs. Eitda for the quarter stood at Rs 409.79 crores, a dip from the Rs 432.14 crores recorded in the corresponding 2024 quarter.

The profit after tax followed a similar downward trend, settling at Rs 316.44 crores against the previous year’s Rs 347.17 crores. Advertisers also seemed to have switched channels slightly, with advertisement revenues sliding to Rs 291.94 crores from Rs 332.17 crores.

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Sun TV isn’t just playing on home turf; its sporting ambitions are becoming increasingly global. The network now owns three major cricket franchises: SunRisers Hyderabad in the IPL, SunRisers Eastern Cape in SA20, and SunRisers Leeds Limited in The Hundred (UK).

The foray into British cricket saw the company acquire a 100 per cent stake in Northern Superchargers Limited (now SunRisers Leeds) for approximately £100 million. While these franchises brought in Rs 14.61 crores this quarter, they also incurred corresponding costs of Rs 19.89 crores. Over the nine-month period, however, the cricket business is a major player, contributing Rs 487.64 crores in income.

The company’s bottom line took a minor hit from exceptional items, including a Rs 4.23 crore charge related to India’s new Labour Codes, which consolidated 29 existing labour laws. Additionally, the consolidated results reflect the amalgamation of Kal Radio Limited with Udaya FM, a move that became effective in May 2025 and required a restatement of previous figures.

To keep investors from reaching for the remote, the Board has declared an interim dividend of 50 per cent, that’s Rs 2.50 per equity share. This comes on top of earlier dividends of 100 per cent (Rs 5.00) and 75 per cent (Rs 3.75) declared in August and November 2025, respectively.

With a massive cash reserve and a dominant position in the South Indian market, Sun TV continues to shine, even if the current quarter required a bit of fine-tuning. For now, shareholders can sit back, relax, and enjoy the show.
 

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SPNI hires Pradeep M with responsibility for standards and practices in the south

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MUMBAI: Sony Pictures Networks India has hired Pradeep M to handle standards and practices for its southern market, bolstering its compliance bench as content rules tighten across platforms.

Pradeep, who has nearly 13 years in the entertainment media industry, takes on responsibility for content standards in a region that is both linguistically diverse and regulatorily sensitive. His brief spans television, OTT, sports and digital platforms.

He specialises in content review and compliance across shows, commercials, on-air promotions and international feeds, ensuring alignment with broadcast, OTT and advertising codes. He has also handled brand approvals and sponsorship integrations for heavily regulated categories—including online gaming, cryptocurrency, NFTs and lottery brands—offering guidance shaped by fast-evolving rules.

Before Sony, Pradeep worked at Jiostar as assistant manager for content regulation from November 2024 to January 2026. Earlier, he spent nearly seven years at Viacom18 Media, rising from senior executive to assistant manager in content regulation between 2018 and 2024. There he served as a key compliance touchpoint for the network.

His career began on the creative side. Between 2013 and 2018, he worked as executive producer on feature films and television shows, gaining hands-on exposure to production. He also had a stint as a non-fiction show director at Star TV Network in 2017. That mix of creative and regulatory experience gives him a dual lens—how content is made and how it must be managed.

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As regulators, platforms and advertisers all tighten the screws, broadcasters are investing more in gatekeepers who can keep creativity within the lines. Sony’s latest hire shows where the industry is heading: in the streaming age, compliance is content’s quiet co-star.

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Colors Gujarati rolls out two new shows from 2nd February

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MUMBAI: Colors Gujarati has unveiled two new prime-time shows as part of its push to strengthen culturally rooted storytelling for regional audiences. The channel will premiere the devotional saga Gangasati–Paanbai at 7.30 pm, followed by the romantic family drama Manmelo at 9.30 pm from February 2.

Inspired by Gujarat’s spiritual and literary heritage, Gangasati–Paanbai: Shyam Dhun No Navo Adhyay draws from the timeless bhajans and poetry of saint-poetesses Gangasati and Paanbai, weaving devotion and human values into a contemporary narrative aimed at younger viewers.

In contrast, Manmelo explores love and responsibility across social divides, tracing the lives of three middle-class sisters whose relationships with three affluent brothers reshape their futures. The show delves into ambition, emotional conflict and the realities of married life, offering a layered family drama.

A Colors Gujarati spokesperson said the new launches reflect the channel’s commitment to authentic Gujarati entertainment that blends cultural values with modern storytelling.

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